books (grownups’)


Driftwood (c) Katrien Vander Straeten, 2004

Driftwood

Every year, once a year, I need to return to that long poem by Mary Oliver, The Leaf and the Cloud (published in 2000). It is a poem like life, with everything in it, only magnified and condensed. I can’t say much about it, only that it reverberates deeply with me, and comforts me, and puts me in touch with myself, makes me more honest. And then it also creates that distance, the kind of poetic distance that allows me to take a good look, at everything. It’s a good poem that way. An excerpt:

Flare

12.

Be good-natured and untidy in your exuberance .

In the glare of your mind, be modest.

And beholden to what is tactile, and thrilling.

Live with the beetle, and the wind.

This is the dark bread of the poem.

This is the dark and nourishing bread of the poem.

Look! This is how it starts:

Welcome to the silly, comforting poem.

An idea is brewing, for a new novel. I’ve sent my first thirteen chapters off to ten readers, and though I still need to write down the last chapter - yes, I deprived them of the ending! - and then edit, and sell it to an agent and a publisher, and all that… I feel I have let it go. And now it’s time for a new story.

Drawing of pile of books (c) Katrien Vander Straeten

I discovered Chile’s Quit Now Challenge (see the logo to the sidebar: it’s the clearest, most uncluttered, Peak Oil logo I’ve come across). I devoted some deep thinking about what I would give up…

  • Cigarettes? Diet Coke? McDonalds? Never did that / haven’t done that in half a decade.
  • Paper towels? TV? Airco? Plastic bags? Did that, done.
  • Dryer? Junking veggie waste? Will give that up the moment we move to the new place, where hanging clothes and composting are possible.
  • Procrastination? Can’t. I mean, loafing is an integral part of my job (writing). So are coffee and black tea.

Sigh.

Look, it’s not that difficult! Here goes:

I will give up buying toys and books for Amie, and books for myself.

From today (5 July) until 5 July, and after that we’ll see.

The comments and Chile’s later post on the matter discuss whether this means depriving oneself (negative spin) or gaining space and time (positive). In our case, of books and toy we have enough, too much already. Getting more will actually mean having less: less space and less time to discover and rediscover what we already have.

Also, we’re looking at our move, coming up soon (it’s planned in two weeks). I haven’t been able to bring myself to pack yet. It’s the books!

My 1000+ count philosophy library is already in boxes in storage. But since “giving up” philosophy, I’ve gained many more books, mainly children’s books, ecological treatises and all manner of homesteading books. I could never ever think of books as “clutter,” but truly, when you have to move them, they are, factually, weight.

So there. Can I do it? Can I be a Quitter?

dead bird (c) Katrien Vander Straeten


I’m reading an interesting book called Talking with Children about loss, written by “Good Grief” counselor Maria Trozzi and co-authored by Kathy Massimini.

cover of Maria Trozzi, Talking with Children about Loss (c) Perigee Books, 1999

I’m always picking up books like those. I read Hope Edelman’s Motherless Daughters, for instance, when I was pregnant, and got many comments, mostly in the vein of “how can you read that now?”. But I am unashamed, because I’m a writer. It gives me the license to “imagine things” without having to be embarrassed about it. So, yes, I’ve imagined the worst for Amie: what if she died, what if I died, what if her father died? I’ve “lived” through these scenarios, and would like to, one day, write a novel about one of them and really explore such an event.

But I read these books first of all because, as any mother, I want to know what to do, or I want DH to know what to do, if Amie experiences a loss. I want to be prepared. Being a bookish person I naturally reach for texts, and find there my knowledge and my hope.

One of the first tasks of mourning, writes Trozzi, is understanding: understanding what death is. Not “going to sleep”, “passing away,” “going to heaven” or “being lost. Death is a physical process that ends everything that we call “human” that attaches to a person’s body. A child needs to understand that, and we need to stop using euphemisms. If a child doesn’t understand the most basic meaning of death, he or she will never be able to deal with loss, will never be able to mourn.

As I read that, I realized I had already started this task with Amie. For one, as I wrote earlier, I don’t want her to be ignorant of where her food comes from: that beef was a cow, that sausage was a pig, the wood in the hearth was a tree, etc.

But it has gone further. Many months ago Amie had repeated nightmares about a dinosaur. She woke up screaming and often would refuse to close her eyes again, because there was a dinosaur in the room, or it was coming. The way we helped her through this fearful time was by simply telling her that the dinosaurs are dead.

“What’s ‘dead’?”

“Dead means the dinosaur can’t move, can’t walk. Dead means he can’t talk, or listen, or look. Dead means his body is lying in the ground somewhere, buried, often even crushed to pieces. So he can’t get up and come here.”

She was quite resourceful. She said:

“But this dinosaur isn’t dead.”

“That’s not possible. All dinosaurs are dead. That’s why we call them a special word: ‘extinct’. ‘Extinct’ means that all the dinosaurs, without exception, are dead. So no dinosaur can come here.”

Sure, she was the only 2,5-year-old who knew the meaning of (and could pronounce) ‘extinct’. But hey, I believe in the power of words (and of their definitions, and of their correct application to the things in the world). And this was one clear-cut example of that power. Amie’s nightmares stopped.

Some more pages from my 2004 zine The Puffin!

Puffin 1, page 9 (c) Katrien Vander Straeten Puffin 1, page 10 (c) Katrien Vander Straeten Puffin 1, page 11 (c) Katrien Vander Straeten Puffin 1, page 12 (c) Katrien Vander Straeten

Pages 9 and 10 make me laugh. I like the second last drawing (page 11) best of all. I still remember that meal in detail: how the food tasted, what we talked about, the atmosphere in the kitchen, even at the end of what kind of day it came. I’m sure that if I hadn’t drawn that scene on the spot, that whole event would have been lost to my memory.

Moonlight Chronicle no. 59 (c) Dan Price

I got my first Moonlight Chronicle way back in 2004. I loved it and subscribed to a couple of future issues. I got so hooked on that great feeling of opening the mailbox and seeing that small but thick envelope nestled there, with one or other MC stamp and Dan’s crazy handwriting on it.

So I requested all the MCs I didn’t have in one big order. What a feeling, getting that big box and sitting down for days on end to read through all of them! It was one of the most worthwhile splurges I ever made (did?), a close second to buying the complete collection of Glen Gould playing Bach!

I kept on receiving my MCs until issue 49. Then, for some reason, probably the one we call “life”, I failed to subscribe to new issues. I almost forgotten all about it when Amie discovered the big tin box I had stored them in.

She loves books, of course, especially small ones that easily fit her small hands. And she loves drawing and drawings. Books + drawings = Moonlight Chronicles!

She sat down and “read” through half of them! Commenting:

- Mama, Mama, there’s a house in here!

Leafing through two more, her frown growing more and more threatening. Comment:

- Mama, this is no good! These books don’t have houses in them.

Then, flipping through the next issue, with great relief:

- Ah! There’s a house!

amie reading Dan Price’s Moonlight Chronicles (c) Katrien Vander Straeten

I sat next to her on the floor, also reading, haphazardly, issue 41, then 30, then 7. I know Dan’s life story, so I didn’t get lost in the chronology. I think it was the first time in days that I was so relaxed!

Dan’s a goodhearted hobo who lives an enchanted life in a tepee and several handmade constructions (”hobbit-holes”) in a meadow by a creek near Joseph in Eastern Oregon. His life is enchanted - he searches for his style in drawing, a smaller ecological footprint, a closer bond with nature, and ruminates about life. But his little journals also reflect the hard side of that life, the isolation from his family and the discomfort of living simply. And all that in such direct language and illustrated, of course, by his neat little drawings.

Check out this cool documentary about Dan on the Oregon Public Television (not very recent, but it still reflects his life).

- Mama, are there more of these? (Amie asked)

- Of course!

- Can we get them?

- Of course!

13 more Chronicles have been written since I jumped off that wagon. We saved some money with our so-far-successful $200/week regimen, and with DH on board, I wrote to Dan and am now joyfully anticipating catching up! So is Amie!

Amie is ill again. She has “upper respiratory problems”. One child sniffs > Amie gets a cold. Our trip to the Science Museum was fun, but by the evening I could see that we had brought home more than a bunch of good memories.

Yesterday she spent the day glued to me. She slept until noon! On me. DH took this sweet picture of us on the sofa.

Mama reading and Amie asleep, feb 2008 (c) Satrajit Ghosh

I look so sleepy, don’t I? It’s not the book I’m reading  though. Try staying awake with such a warm, sleepy body weighing you down!

Cover of Rick Bass *Where the Sea Used to Be* (c) Rick Bass, Houghton Mifflin

The book is actually really good. It’s Rick Bass’ Where the Sea Used to Be. I love Bass’ short stories and novellas - I think I’ve read most of them. This was his first full-length novel. I must say I didn’t like the first 31 pages of it: they didn’t speak to me at all. Luckily I don’t give up on books so easily. I was on the verge of feeling very sad and disappointed when, on p.32, the book finally opened up to me, the characters became alive, the language beautifully evocative.

I haven’t been able to put it down since, but the new Orion Magazine arrived in the mail yesterday, so now I struggle to divide my time between the that, Where the Sea Used to Be and The Magic School Bus. And my own novel, and this blog, and some letters I need to write. And playing with the zoo, and the paints, the doll houses and their various assortments of denizens. And the dishes, and laundry…

Front Page of Puffin 1 (c) Katrien Vander Straeten

Years ago, in 2004, I put together a (literally) small “zine” called The Puffin.

Picture of Puffin 1 (c) Katrien Vander Straeten

It was a zine for family and friends, inspired by Dan Price’s awesome Moonlight Chronicles and Danny Gregory’s Everyday Matters blog (before he became so insanely popular).

I just happened upon the original .jpg version of The Puffin - I no longer have a complete copy for myself, all 50 went out the door - and laughed myself silly!

As a way of illustrating what my life was like before I became a mom (very academic - okay: nerdy!), I thought I might share some of the pages with you.

Teapot from the Puffin no 1 (c) Katrien Vander Straeten

Here are the first couple of pages that make the draw-for-your-life pitch and the first page of the rest of the journal, which puts the drawing philosophy in practice. Enjoy (click on thumbnails to see original size)!

1. Page 3 of Puffin 1 (c) Katrien Vander Straeten 2. Page 4 of Puffin 1 (c) Katrien Vander Straeten 3. Page 5 of Puffin 1 (c) Katrien Vander Straeten

4. Page 6 of Puffin 1 (c) Katrien Vander Straeten 5. Page 7 of Puffin 1 (c) Katrien Vander Straeten 6. Page 8 of Puffin 1 (c) Katrien Vander Straeten

More will follow.

Slippers from the Puffin no 1 (c) Katrien Vander Straeten

Ah, no… I don’t draw in my journal anymore. I still do draw, in Amie’s Map Book, our communal Drawing Book and on the occasion of all our crafting, of course. But no longer in my own journal. Why? Sigh. I can only speculate. The best excuse I’ve come up with is that, once drawing “vivified” (jump-started) my journal again, I quickly fell back into my old journaling habits, which are back to being prolific and energetic, but drawing-less. I do miss it though, not so much when I’m writing, but when I’m rereading my journals.

DH is a Montessori preschool alumnus and I have always liked the Montessori approach, not knowing very much about it. When it was time to sign Amie up for a preschool, I started reading up on it, because we wanted her to go a Montessori preschool

(She didn’t get in because of a stupid breakdown of communication. We visited the school in October and the director told us we could let her know as late as January, even February. Wen we called in December, she was already putting people on a waiting list! Bummer! No worries, we found a cozy little preschool just around the corner instead.)

In any case, long story short and all that, I love the approach and plan to implement a lot of it at home. Today we made a real breakthrough.

One of the tenets of Montessori is to let the child do as much for herself as possible, and she and her commentators suggest a wealth of activities that children might do themselves and feel good about.One of these is letting the child pour her own milk at breakfast and water and juice throughout the day.

I didn’t even finish the sentence suggesting this, but jumped up and asked Amie if she wanted some green juice (her only source of veggies, people!). We proceeded to the kitchen table where I gave her her glass and then poured some juice into a small pitcher. I could see she was intrigued. Then I asked: “Will you pour it yourself? Would you like that?”

Well!

She was surprised when I asked, fascinated when I showed her, very careful when she did it herself, and very proud when she succeeded.

Then I poured some water into her little (tiny!) porcelain teapot and showed her how to play Tea. Caution turned into confidence, concentration into glee. She got the hang of it so fast. Look how she used both hands, to hold the cup, and to steady the teapot.

Amie pours tea, 26 Jan 2008 (c) Katrien Vander StraetenAmie pours tea, 26 Jan 2008 (c) Katrien Vander Straeten

What a treat for all of us!

I’m currently reading Lynne Lawrence’s Montessori Read and Write and Elisabeth Hainstock’s Teaching Montessori at Home: The Preschool Years

cover of Montessori Read and Write, Lynne Lawrence    Elisabeth Hainstock’s Teaching Montessori at Home: The Preschool Years.

I’ll let you know what I’m working on.

  1. I’m researching how best to teach reading. Fascinating that whole Whole Word - Phonics war. So much of the history and psychology of writing is involved, and then throw your own toddler and her talents and interests into the mix. I love a complex challenge!
  2. In advance of my making up my mind about the letter vs. sound approach, Amie and I started a consistent project with the sounds-letters she already recognizes: a, b, g, m, o, s, and t. We’re having a blast! The moment the fuller than full memory card on my camera can be emptied, I’ll take a picture of our “Corridor Project”.
  3. Two weeks ago we inaugurated the cash box. At the end of the month we were always shocked to find that we had saved nothing. Where did it all go? So we are taking out $200 in cash a week and from that pay for our food, gas and small purchases (so not the fixed costs like mortgage, electricity, cable, etc.). It is so much easier to see it going-going-gone. Two weeks now we’ve made it!
  4. I’m writing the final chapters of my novel, the ones where everything comes together. It’s so exciting, too exciting sometimes. But Amie has been home sick all week, so I haven’t been able to work all week. The suspense is killing me!
  5. I’m dreaming again of the ole homestead… but keeping it small: a little structure to build. What will be its function (live there, guest space, study, workshop, kids’ house), structure (how big, how many floors, windows, what kind of roof and floor), materials (I’m leaning towards cob), energy source (solar, wind, composting toilet). We don’t have any land yet to build it on, but we’re looking! I got the magical Home Work Handbuilt Shelter book from the library and will accidentally leave it on the kitchen table to once more entice DH to share the dream.

Cover of Home Work, Handbuilt Shelter

I’ll report on all of these (but 4) soon!

Mama and Amie picking flowers (c) Katrien Vander Straeten

Thanks to Moonmeadow Farm, this is Wendell Berry’s poem “Manifesto: The Mad Farmer Liberation Front” from his book The Country of Marriage (Harcourt Brace Jovanovich, 1973). I hope it’s ok to reproduce it here… 

Oh but be fearless!

 So:

Manifesto: The Mad Farmer Liberation Front by Wendell Berry (my hero)

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.

So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.

Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.

Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion - put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?

Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go. Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.

                 ~

There is so much in this poem, I won’t even try to write about it, as yet. I’ve only just discovered it, let me read a couple of hundred times first, soak it up… rest my head in its lap.

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