Music is such a large part of our lives. Amie is playing classical pieces that truly ask the best of her. It is a marvel to see her small fingers dance on the fretless fingerboard, touchingÂ eachÂ note. Her playing folk with some of the kind folks of the 12 Georgia is a lot of fun. So far, the guitar sings Twinkle Twinkle and House of the Rising Sun. I love it when she practices.Â When I bring her with me to visit our friend Rebecca, we bring her cello and she plays. Rebecca, who can no longer speak, studies her intently, like she is trying to engrave her, or her song, in her memory – I like to think so she will remember themÂ on the other side of life.
As for myself, I never had any musical education and can’t even read music, but I do have a good singing voice. Never very confident, I’ve always kept silent, but now I am changing my mind about that. IÂ may never play the cello, but I can honor the world with my song and tell story and make beauty that way. So I picked up my courage and sang, full-breasted, Â “The Wind That Shakes The Barley” for Rebecca. Apart from my closest family, she was my first audience and she liked it very much, I could tell.
Because it is for the world I want to sing, I want toÂ sing songs from all over the world, songs that go way back or way deep too. Right now I’m learning Gaelic “Song of Amergin,” which according to some sources means “Birth of Song”. It is an ancient wizard riddle that may go back to the 4th or 5th century. The language is wicked hard to pronounce and then to memorize, and so are the subtle pitch changes, the unexpected melodies, and the tremelos. I take it line by line and it becomes an invocation. My guide on this song too is Lisa Gerrard of Dead Can Dance (she sings it here,Â but I wish it didn’t haveÂ the ever louder background music).
With song comes wine. We measured the specific gravity of the crushed grape juice (1.04 for the Malbec, 1.08 for the Cabernet), then put the yeast to it. We need to feed it in a months time.